Theatre Reviews
Photo courtesy of Stifel Theatre

The timeless tale of Harper Lee’s “To Kill a Mockingbird” unfolded anew, courtesy of Broadway at Stifel Theatre, presented by Fox Associates. January 9-10 marked the second time in a year that Aaron Sorkin’s adaptation resonated with St. Louis audiences. It was a repeat performance that earns repeat attendance because, under the direction of Bartlett Sher, this rendition revitalizes a narrative that delves into themes of justice, morality, and human dignity that remain as relevant as ever.

Richard Thomas delivered another formidable performance as Atticus Finch, the principled attorney ensnared in a racially charged trial in 1930s Alabama. His portrayal continues to capture Finch’s unwavering faith in humanity amidst prevailing prejudice and injustice.

The story unfolds through the eyes of Finch’s children—Scout (Rae Gray), Jem (Justin Mark) and their friend Dill (Steven Lee Johnson)—who offered a youthful perspective on the tumultuous events. Moore, Mark and Johnson imbued their characters with innocence and curiosity, providing moments of levity and profound insight.

The supporting cast also shone, with Jacqueline Williams infusing Calpurnia with depth and humanity, and Yaegel T. Welch portraying Tom Robinson with quiet dignity. It’s an impressive achievement that Welch, as well as Mariah Lee as Mayella Ewell, can deliver wrenching performances night after night on tour.

Visually, the production continued to captivate, with set design transporting viewers seamlessly from Southern porches to the starkness of the courtroom. Broken windows scattered throughout serve as a haunting reminder of societal fractures, echoing the impact of poverty and injustice.

Sorkin’s adaptation of “To Kill a Mockingbird” is a poignant reminder of storytelling’s power to provoke thought and inspire empathy. With stellar performances and resonant themes, this production underscored the importance of compassion and integrity in an imperfect world.

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