Gina Alvarez is the Executive Director at Living Arts Studio, a non-profit organization based in Maplewood that gives artists with disabilities a place to explore their passion for art. "We aren't approaching art as a rehabilitation or therapeutic tool," Alvarez explains -- nonetheless adding, "art does change lives." Given the freedom to express themselves and adapt to positive feedback, artists develop a unique confidence in their abilities: "They can initially walk in and think 'I don't know,' and then a year later say 'I am an artist.'"

Valentine' Day celebrations.

When I visited the studio just before Valentine's Day, everyone was getting ready to show their love. Colorful heart-shaped balloons made the environment even homier, while fellow artists collaborated on a project in which they drew hearts in their own unique styles. 

Aided by Alvarez, Living Arts not only facilitates art-making but also introduces artists with disabilities to a wider community beyond the studio. Member artists have exhibited their work at venues such as the Sheldon Art Gallery and the University City Library. For Alvarez, this represents the community-building promise of art: "The level of exhibition opportunities they are participating in is notable. I think that's huge. The sense of accomplishment anybody would experience with opportunities like that is tremendous." She also believes in the potential of her artists: "Pursuing exhibitions at high-calibre venues shows that people with disabilities can participate on that level, and should, and will."  

Since joining Living Arts Studio in May of 2012, Alvarez has witnessed the progress her artists have made in their art careers. But more importantly, she is thrilled to see them gain community and friendship in the studio as they build trust between each other and with facilitators. "I don't think it's easy walking into any studio and agreeing to be part of something that you are not entirely sure what it is."

Living Arts Studio is always actively seeking methods to improve their programs and increase accessibility. "We work with cultural institutions through workshops, and see what accessibility looks like in programing, in art tools, and how you adapt tools to meet the needs of people with disabilities," Alvarez explained. The studio also uses the help of other institutions to "mould the programs into a more universal design." As Alvarez put it, "Through universality, there is inclusion."  

        Larry Eisenberg at work.

Artist Larry Eisenberg has been part of the community at Living Arts Studio for over a year now. Seeing his father work on architecture design growing up, Eisenberg has taken to drawing houses and making art that shows a sense of space. "I am always looking for something that reminds me of landscape beauty," he pointed out. For Eisenberg, the freedom of creativity is expansive: "You never make mistakes because it doesn't matter if it it's art." Laughing, he added, "Nobody knows."

Melelani Perry, another artist, found belonging at Living Arts. When I asked Perry what the studio means to her, without hesitation she said, "Safe. Everyone is friendly and keeps us laughing." 

Melelani Perry with her work.

Perry came to the studio two years ago wanting something different. She learned to sew and alter her own clothes. A recurring theme in Perry's work has been images of women. Using self-portraits or pictures from magazines or self-portraits, she bedazzles her women with colorful tapes, glitter and stickers. Inspired by Buddhism and the mandala, Perry often gives her women a third eye, a symbol of spiritual enlightenment. She also uses markers for exaggerated makeup, which adds a postmodern quality to her work. "I put myself in my art a lot. It's my signature," Perry explained. Alvarez added, "Because you are the one thing you know the best, right?" 

The fulfillment Alvarez gets from her work goes beyond seeing the positive change art-making can bring to others -- it has also made her a better artist. "They work totally intuitively without criticism of their own personal process, often with reckless abandon. The freedom they have is extremely inspiring to me."

Producing sculptural objects and installations using ceramics, glass, fiber and print techniques, Alvarez has exhibited her own work in solo and group exhibitions at many venues, including the Contemporary Art Museum St. Louis, Gallery 210, Boots Contemporary Art, the Center for Creative Arts, Craft Alliance, the Des Lee Gallery, Pele Prints and fort gondo. She has received abundant recognition from both local and national organizations and has also curated many shows at these same spaces. 

Besides her careers as an artist and director of Living Arts, Alvarez teaches at St. Louis Community College, Forest Park and serves as Executive Director of VSA Missouri, which promotes arts resources for people with disabilities. 

Her path to Living Arts began when she was Gallery Director at the St. Louis Artists' Guild. While working there, she and the former Executive Director of Living Arts Studio and VSA Missouri curated an exhibition in the Sight and Vision series called Speaking Volumes, for artists Susan Shie, who is visually-impaired, and Richard Meyers, who is hearing-impaired. Through that experience Alvarez decided to come work at Living Art Studio.

Alvarez recalled how, with no background in social services, she went through a learning curve as she transitioned from a working artist to something of a community organizer, aided in part by her experience in the Regional Arts Commission's Community Arts Training Institute. But being an artist rather than a social worker has meant that she makes sure to treat members as artists first and foremost. Alvarez explains, "It has changed my personal practice to be less individual and more community-based. It has had an impact on me personally in ways I never anticipated as a working artist." 

 

As I stepped into the Artists First studio in Maplewood, I immediately noticed the variety of art hanging on the walls, from abstract-expressionist style paintings to delicate pencil portraits. Around tables of art supplies, a number of people were busy drawing and painting. Among them was Paul Stanton, one of the 30 or so artists who come to the Artists First on a regular basis. 

Stanton was finishing up a portrait when he agreed to talk with me about the organization as he left his painting to dry. Stanton, who just celebrated his 55th birthday, started doing sketches and portraits when was a just a little boy. For Stanton, his love of art was there from the beginning: "When I was coming up, I knew that I had the talent. Every person on earth has a God-given talent; my God-given talent was art." Since finding his way to Artists First, art facilitators have helped Stanton to improve that talent: "I am a way better artist than I was. If I didn't know what I know now, I don't know where I will be. But it's not too late for anyone."

A non-profit organization that serves aspiring artists of all ages, the specific mission of Artists First is cultivating artists with developmental disabilities, traumatic brain injuries or pervasive mental illnesses. Besides offering adult and youth open studios to all, Artists Firsts also provides career-minded members with a place where they have access not only to professional art-making materials but also, through the Lifeworks program, to a network of opportunities through which they may display, market and sell their artworks.

Sheila Suderwalla, Executive Director explained the ethics behind the title of the organization: "At Artists First, our philosophy is that the person is first and the disability is second. We want the artists be treated as they are, but not by their disability."

The combination of expertise in social work, art techniques and special education in staff members allows Artists First to offer not only artistic guidance, but also career coaching, financial literacy and emotional support for members artists with and without disabilities. Artist First creates an environment that promotes the improvement of interpersonal skills among those challenged by lack of socialization opportunities and an often interrupted professional support network.

Among those without disabilities, these interactions provide an improved understanding of and sympathy for the challenges those with disabilities face. "There are so many divisions in the world," said Suderwalla, "We want to break down those walls, divisions and stereotypes, and bring diverse groups of people together." 

Through its open studios and other programs, Artists First directly serves over 200 individuals a year. The Lifebooking class, for example, provides a safe harbor where individuals with disabilities can retell their stories either about transitions in life or relationships with support providers. Artists First for Veterans, an extended program of the Open Studio, emerged as a response to the specific needs of veterans readjusting to civilian life.

Beyond its in-house programing, Artists First curates outreach events, including exhibitions and parties at a variety of venues, including the Sharing Art exhibitions at UMSL's south campus and at Maplewood Public Library, where one can see some of Stanton's works on display. 

In so doing, Artists First introduces its artists and their works to a wider St. Louis community and provides more opportunity for artists to sell their work. In Suderwalla words, these exhibitions can be a "bridge" that helps the community empathize with member artists.

While artists get a commission for each artwork they sell; others, like Nakia Jones, choose to keep their work to themselves. When I met Jones, the 42-year-old could not entirely hide her creative side which showed in her red sweater, matching red lipstick, and a pair of blue chain earrings of her own design. For Jones, who comes to the studio for five hours almost every day its open, Artists First is her college. "I don't want to miss any day," she says. Her philosophy about art encapsulates the philosophy of Artists First: "Art is about love to me."

Sheila notices the progress in member artists, which she measures holistically: "What we have seen through Artists First is an increase in self-esteem and self-advocacy. They know how to stand up for themselves and advocate for what they need." People with disabilities need guidance and support along the way. They rely on organizations like Artists First to be their outlet where they feel a sense of purpose and a sense of belonging. Just as Sheila said to me, "This is their purpose. This is their job. This is their community." 

As Nancy Fowler reported for St. Louis Public Radio, Artists First faced a challenge last summer that many arts organizations anticipate may become the unfortunate norm. The St. Louis Office for Developmental Disability Resources planned to cut the annual budget for nonprofit organizations by 20 percent. The scenario got worse for Artists First when Suderwalla was told in early May that half of Artists First's budget needs to be cut. In fear that the organization might have to close, Artists First negotiated and cut costs within the studio therefore was able to continue commit to 200 individuals. As Suderwalla said to SLPR, "On paper, in black and white, it looks pretty bad, but in our heart of hearts we have a lot of a faith."

Friday, February 17, Artists First will host its Arts in Unity event from 6-9 p.m., an art exhibition in celebration of diversity with musical performances by Dave Stone, Brian Curran, Googolplexia, Sole Loan, Kieran Molloy, Gary Schoenberger and others.

St. Louisans have long had a special love affair with beer. For nearly two centuries this bubbly brew has invigorated our taste buds and our local economy. In recent years many microbrewers have emerged as regional favorites, as well as many annual beer-themed events such as pub crawls, beer runs and craft beer tours.

St. Louis' Craft Beer Week, held July 29 through August 6, was created in 2009 by local brewer Mike Sweeney. This year's assemblage included breweries, distributors, restaurants, bars, retailers and beer fans, all celebrating their love of craft beer. Many of the events were fundraisers for local non-profit organizations.

Photos by Cory Miller.

STL Craft Beer Week: St. Louis Brewers Guild Beer Brunch 7/30/16

St. Louis Brewers Guild Beer Brunch

at Reeds American Table
July 30, 2016

STL Craft Beer Week: Midwest Belgian Beer Fest 7/30/16

Midwest Belgian Beer Fest

at Sheet Metal Workers Local 36 Union Hall
July 30, 2016

STL Craft Beer Week: Saint Fortune 8/3/16

Saint Fortune

at St. Fortune
on August 3, 2016

STL Craft Beer Week: Hop House - A Benefit for Habitat for Humanity Saint Louis 8/3/16

Hop House - A Benefit for Habitat for Humanity Saint Louis

at the Saint Louis Hop Shop
August 3, 2016

STL Craft Beer Week: Rockwell & Friends 8/5/16

Rockwell & Friends

at Craft Beer Cellar
August 5, 2016

 

A hot, humid weekend and complete shutdown of I-44 did little to dampen the spirits of nearly 100,000 visitors to Tower Grove Park for the 2016 Festival of Nations.

The annual event celebrates diversity in St. Louis through art, music, dance and food. It's basically a big party thrown by the nearby International Institute of St. Louis.

By the numbers, this year's Festival of Nations boasted:

  • 3 music stages
  • 60 nations represented
  • 40 food booths
  • 30 gift booths

The music and dance performances spanned the globe, covering Latin America, Russia, Wales, Hawaii, Asia and Turkey, among others. One of the most popular sections of the Festival of Nations was the food booths. The offerings included everything from Caribbean jerk chicken, to mofongo, a Puerto Rican dish with mashed plantains.

The International Institute's three pillars of service are immersion, investment and inclusion. 

Photos by Bill Motchan and Jason Cluts.



 

The Fifth Annual Garbage Bag Gala, held on Saturday, July 16, featured wearable creations from 23 area designers.

The event was organized by Echelon, a group of young professionals within the Salvation Army, who provide opportunities for young adults to interact with the organization. All proceeds from the event went to support Salvation Army programs that provide help for the homeless, including hot meals, shelter, spiritual comfort and emergency aid.

The top prize went to fashion designer Barbara Hultman, with a creation worn by model Galina Angheluta, utilizing plastic black straws.

Photos by Tim Farmer

Click here to see the complete collection of photos. 

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5th Annual Garbage Bag Gala

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 5th Annual Garbage Bag Gala

 

 

 

5th Annual Garbage Bag Gala 

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5th Annual Garbage Bag Gala
5th Annual Garbage Bag Gala
 
   
5th Annual Garbage Bag Gala
  Best in Show - 5th Annual Garbage Bag Gala

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